**Sculpture Sketch Course with Paloma Argibay (Tuesdays from 5:30pm to 7:30pm)**

In this course, the student will work on a sculptural composition exercise. Throughout the classes, you will have the opportunity to create a unique and meaningful sculptural piece by learning to conceptualize and compose through preliminary sketches.

Our approach is divided into two key areas:

Exploration of Sculptural Language: We will guide you in the search for original and meaningful ideas in sculpture, recognizing that a work of art is never truly finished but rather an ongoing process of dialogue and collective learning.

Technical Development and Precise Observation: You will learn to observe the natural world in greater detail and reinforce your anatomical and structural knowledge. You will master fundamental strategies to handle transitions and capture precise information at each stage of the process.

Course Outline:

Introduction and Initial Steps: General course presentation and creation of preliminary drawings from a live model to prepare for the conceptual and compositional study of the sculpture.

Construction and Development: You will progress by building a basic armature that reflects your sketches. Your sculpture will have a size between 30 to 40 centimeters in its longest dimension.

Investigative Process: Over eight days, you will develop your sculpture. You will shape the general form in clay over two days, then work on intermediate volumes and minor transitions over the next two days. Two days will be allocated for adjusting major lines and structures, and the final two days will focus on refining details and necessary decisions.

Course Objectives:

Create an original sculpture using the resources and support provided by the course.

Translate abstract ideas into drawings and then transform them into three-dimensional forms using appropriate sculpting techniques.

Identify structural, proportional, and mass-related issues at different stages and work on detailed transitions without losing sight of the overall form.

Lead a coherent and honest conceptual and compositional proposal from the inception of ideas to materialization, understanding that the process is as valuable as the final result.

At the end of the term, during the last week, the student will have the opportunity to learn how to make the mould of the last sculpture he/she did during the course.

We will provide a list of recommended tools and materials, though you are also welcome to use your own tools if you have them.

**Sculpture Studies Course with Joel Llopis (Wednesdays from 5:30 to 7:30pm) or Angelica Arvylàs (Thursdays from 5:30pm to 7:30pm)**

In this course, the student is introduced to the exploration of the human figure in order to be able to understand it and represent it accurately.

You will delve into the body's internal structure and distinct anatomical elements while working from live models. You'll grasp the nuances of balance and pose dynamics. With keen observation and thoughtful planning, you'll sculpt with precision from every angle, understanding how each element interacts to form spatial relationships and harmonious volumes.

For this exercise, we will work with white clay on a metal stand, standing at approximately 30 cm in height. All levels are welcome and there will be introductory lectures at the beginning of the class for everybody. Each student will also receive a personal critique every day. For those who are more advanced, we'll explore topics like composition, foreshortening in intricate poses, and perfecting the final stages of modeling.

At the end of the term, during the last week, the student will have the opportunity to learn how to make the mould of the last sculpture he/she did during the course.

We will provide a list of recommended tools and materials, though you are also welcome to use your own tools if you have them.

In this Drawing and Painting Portrait Sketch course, we will lay the foundations to develop an efficient and fast work process based on the anatomy, structure, volumes, and chiaroscuro effects that light creates on the human head and face.

In each session, a different model will adopt the same pose during the 2-hour class.

Students will work firstly with dry techniques (pencil and charcoal) following a series of logical steps that will allow them to obtain fresh, expressive, and realistic results. It is recommended that students start with drawing techniques, and progressively move on to the use of paint, first in grisaille (shades of gray) and then using different color palettes.

We recommend that students have some prior experience in drawing the human figure and oil painting techniques to fully benefit from this course.

It's important to note that materials are not included, but we will provide a materials list in the confirmation email.

By the end of the course, students will be equipped with the foundational skills necessary to continue their artistic journey in portraiture with confidence and proficiency.

Our introductory portrait class at the Barcelona Academy of Art offers an immersive experience designed to refine the student's understanding of facial anatomy and precision in portraiture. Throughout the course, students will engage in comprehensive study sessions with a single model, allowing for a profound exploration of facial features and expression.

Under the guidance of experienced instructors, students will begin an 11-week exploration of capturing the human face in a long pose portrait. This extended duration enables students to deeply investigate the nuances of facial structure, proportions, and the subtle interplay of light and shadow.

Through a combination of observational drawing and anatomical study, students will gradually refine their techniques, moving towards achieving increasingly realistic and lifelike representations of the model.

It's important to note that materials are not included, but we will provide a materials list in the confirmation email.

By the end of the course, students will be equipped with the foundational skills necessary to continue their artistic journey in portraiture with confidence and proficiency.

In the Human Figure Pencil Drawing evening courses, each session features a new model maintaining the same pose for 2 hours.

Sessions are held on Monday and Tuesday from 5:30pm to 7:30pm, and on Wednesday and Thursday from 6pm to 8pm. Students have the option to register for one or more days, but it must be the same day(s) throughout the 11-week term.

The main objective is learning the process of constructing the human figure following the school's academic methodologies, including the Sight-Size and Comparative methods. Students begin by sketching on DIN-A4 paper with a graphite pencil. Drawing forms the backbone of the academic process at the Barcelona Academy of Art. Without a solid foundation in drawing, most of the challenges encountered throughout an artistic career become significantly harder to overcome. Only when the student demonstrates mastery of drawing techniques according to the academic methodologies we employ at our school will they be ready to progress to painting.

This is a practical course where each student works on drawing a live model. The instructor gives personalized feedback, checking in with each student once per session to offer specific guidance. The course is not theoretical or focused on constant supervision; it’s designed to encourage independent practice with support from the instructor.

Please note that missed classes cannot be made up. Additionally, materials are not included, but a list of required materials will be provided with the confirmation email.

Introduction to Drawing and Painting Course

This Introduction to Drawing and Painting Course provides students with a strong foundation in the fundamental techniques of drawing and painting, following the BAA academic art method. Designed for beginners and developing artists, the course combines structured exercises with independent practice to build confidence, observation skills, and technical understanding.

First Half of the Course: Drawing

The first half of the course focuses on the fundamentals of drawing, introducing students to essential techniques and concepts through a series of practical exercises. Students will work from photographic references to create still life drawings, portrait drawings, and figure drawings.

The primary materials are pencil and charcoal, allowing students to develop control of line, proportion, texture, tone, and shading. Exercises are designed to establish a solid foundation in observational drawing while helping beginners develop accuracy, confidence, and a better understanding of form and volume.

Second Half of the Course: Painting

The second half of the course introduces students to the fundamentals of oil painting, with a particular focus on colour theory and oil painting techniques. Students will explore how colour, light, and value can be used to describe form and create depth in a painting.

Students will learn the grisaille painting technique, study the relationship between light and shadow, and explore layering methods used in oil painting. These exercises provide an introduction to building volume, depth, and tonal structure while developing a practical understanding of the painting process.

Teaching Methodology

The course is structured around independent and progressive learning. During each session, instructors provide individual feedback and guidance on students’ work. This allows participants to progress at their own pace while learning through practical, hands-on experience.

The course is not structured as a private lesson. Instead, it offers a shared studio environment where students can work independently while benefiting from the close guidance of the instructors. This approach encourages regular practice, experimentation, and the development of each student’s individual artistic process.

Course Structure and Schedule

The course is divided into two progressive stages: the first half focuses on drawing techniques and academic drawing fundamentals, while the second half focuses on painting techniques, colour, and oil painting.

Students can attend one or two classes per week, on Mondays and/or Wednesdays. Students attending one class per week will complete fewer exercises, but will still cover the full range of course content.

Each group consists of approximately 14 students per instructor, creating a collaborative studio environment while allowing instructors to provide regular, individualised feedback and support throughout the course.

Materials

Course materials are not included in the tuition fee. Students will receive a recommended materials list with their enrolment confirmation email, providing all the information needed to prepare the appropriate materials before the course begins.